Shot number
|
Shot type
|
On screen action
|
Lip Synching?
|
Lyrics
|
Timing
|
#1
|
Long shot
|
Band looking into the camera
|
No
|
No
|
0:35 – 0:37
|
#2
|
Close up
|
Bass strings pulsing.
|
N/A
|
N/A
|
0:56 – 0:58
|
#3
|
Medium long shot
|
Lead singer holding mic (Trent Reznor style) while looking down.
|
N/A
|
N/A
|
1:01 – 1:03
|
#4
|
High angle medium close up.
|
Drum kit being struck in time to the music.
|
N/A
|
N/A
|
1:11 – 1:14
|
#5
|
Medium long shot
|
Singer looks over his shoulder at band members while nodding in time
with the music.
|
No
|
No
|
1:19 – 1:24
|
#6
|
Medium long shot
|
Drummer hitting a fill
|
No
|
“She turns me on”
|
1:49 – 1:53
|
#7
|
Hand held close up
|
Lead who pushes the camera away in a melancholic fashion.
|
No
|
No
|
1:56 – 1:58
|
#8
|
Low angle (medium long shot)
|
Bassist playing
|
No
|
No
|
2:06 – 2:07
|
#9
|
Close up of lead
|
Singer looks into the camera and points to face.
|
Yes
|
“I think I could’ve been someone”
|
2:39 – 2:43
|
#10
|
Medium long shot with strobe
|
Singer holds Trent Reznor pose and sings to the wall.
|
Yes
|
“When everything is said and done
|
2:49 – 2:53
|
#11
|
Close up (hand held)
|
Bass player’s mask moving down to the guitar.
|
No
|
“And there is no place left to run”
|
2:54 – 2:58
|
#12
|
Medium Close up low angle
|
Lead singing to the wall
|
Yes
|
“I think I used to be someone”
|
2:58 – 3:02
|
#13
|
Extreme close up (zooming out)
|
The camera zooms out from an extreme close up at a steady pace with
the band members all looking at the camera.
|
No
|
N/A
|
3:07 – 3:15
|
#15
|
Long shot
|
Layering footage of the band moving with the music.
|
N/A
|
N/A
|
1:59 – 2:06
|
Thursday, 28 January 2016
Performance based call sheet
Subscribe to:
Post Comments (Atom)
You're not presenting enough evidence of planning
ReplyDeleteConsider evidencing cast communication/communications for example (link to Eval Q4)
Illustrate with props used. Transport issues. Timing. Actual call sheets
You are missing a storyboard for either original or revised track - significant gap in marks.